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GRAVEYARD
THE MUSEUM
So, you’ve met your end and regardless of your beliefs, the expectation is that is where things end. Rebirth. Damnation. Salvation. A simple black screen… None of those things happen; how (un)fortunate for you. How jarring it must be to have your last moments not be your final moments. On the bright side, all the injuries you’ve sustained are no longer present. You’re as good as new!
Now, whether you’ve met your end violently, peacefully, or something between the two, you’ll find yourself sat in front of a sprawling behemoth of a wall tastefully covered from floor to ceiling (where is the ceiling?) with various objects on display. All of them carefully and neatly framed or kept safe within a box attached to the wall. Not only that, but there are cages hanging from the “ceiling” that contain even more objects for viewing. However, other than the walls, the hanging cages, and the bench—there is no padding on the bench; only a cold, hard surface that does not give—you find yourself sitting on, the rest of this room is completely empty.
At least, after giving a survey of the area, it will be obvious that it isn’t an enclosed space. There is an opening to a hallway—hopefully. Only one way to find out. Spoilers, there are many, many, many other rooms that make up this place.
Oh, but just what is all out on display?
Well, it varies and depends on who is looking. The hanging cages contain skeletons of creatures from home. Whose home? Your home. It’s the same story for everything that has been framed. They’re all images, items, objects—things—from home. Your home. Fortunately, not everything is familiar as unfamiliar items are included in equal parts. How did they all get here? What are they all doing here?
Have you considered the similarities between a museum and a graveyard? Both are places where the living go to marvel at the dead.
Now, whether you’ve met your end violently, peacefully, or something between the two, you’ll find yourself sat in front of a sprawling behemoth of a wall tastefully covered from floor to ceiling (where is the ceiling?) with various objects on display. All of them carefully and neatly framed or kept safe within a box attached to the wall. Not only that, but there are cages hanging from the “ceiling” that contain even more objects for viewing. However, other than the walls, the hanging cages, and the bench—there is no padding on the bench; only a cold, hard surface that does not give—you find yourself sitting on, the rest of this room is completely empty.
At least, after giving a survey of the area, it will be obvious that it isn’t an enclosed space. There is an opening to a hallway—hopefully. Only one way to find out. Spoilers, there are many, many, many other rooms that make up this place.
Oh, but just what is all out on display?
Well, it varies and depends on who is looking. The hanging cages contain skeletons of creatures from home. Whose home? Your home. It’s the same story for everything that has been framed. They’re all images, items, objects—things—from home. Your home. Fortunately, not everything is familiar as unfamiliar items are included in equal parts. How did they all get here? What are they all doing here?
Have you considered the similarities between a museum and a graveyard? Both are places where the living go to marvel at the dead.
EXHIBIT #04 - COMFORT
Likely the first room that you’ll come across after moving from the initial room. This room feels just as grand and just as empty as that room, but at least the walls aren’t covered in things from (your) home. 
Instead, there will be surfaces to claim, if you wish. Beds, sofas, couches, chaises lounge, bean bags, you name it—if someone could consider it comfortable then it will be present in all shapes, sizes, and variations. The only real catch is that each surface will be displayed individually and cannot be moved. Obviously.
Against one of the walls is a very small plaque that reads:
[ FOR DISPLAY ONLY – DO NOT TOUCH ]
Oops.
Instead, there will be surfaces to claim, if you wish. Beds, sofas, couches, chaises lounge, bean bags, you name it—if someone could consider it comfortable then it will be present in all shapes, sizes, and variations. The only real catch is that each surface will be displayed individually and cannot be moved. Obviously.
Against one of the walls is a very small plaque that reads:
[ FOR DISPLAY ONLY – DO NOT TOUCH ]
Oops.
EXHIBIT #09 - VIEWING
What’s a museum without some sort of media installation, hm?
For this room, there is only one thing and one thing only—a projector. For much of the time the projector being on (you can’t turn it off. In fact, where is the projector?), it won’t be displaying anything but a white light on the blank wall opposite of it.
However, while the wall is blank, every so often it’s possible to hear faint voices coming from above. Especially during the night before—you know.
For this room, there is only one thing and one thing only—a projector. For much of the time the projector being on (you can’t turn it off. In fact, where is the projector?), it won’t be displaying anything but a white light on the blank wall opposite of it.
However, while the wall is blank, every so often it’s possible to hear faint voices coming from above. Especially during the night before—you know.
EXHIBIT #03 - GARDEN
It’s here that you can finally see the ceiling even if it’s still more of a “sky” than a true ceiling. 
Those with keen eyes will be able to tell that it’s an artificial sky, and, for those who are less aware, then how it randomly flickers should help with that. Or not. Regardless, the presence of a “sky” isn’t the only surprising thing about this room—it might not even be the first thing that goes noticed. Despite all the expansive and seemingly never-ending hallways that lead to rooms that are void of anything living, this room is alive. Somehow.
A small plaque on the wall will describe this exhibit as an “interactive” medium with gentle suggestions to not be too rough with anything. This exhibition will be a picturesque garden full of all kinds of flowers and plants with a small pond with lily pads and lotus located towards the center of the room. The only physical structure within this room is a very small and simple gazebo containing two chairs and a small table. Perfect for having afternoon tea—if that’s your kind of thing. However, if you were hoping to listen to any bird song, look at what animals have taken residence in the pond, or generally any other kind of life then you’ll be disappointed.
Those with keen eyes will be able to tell that it’s an artificial sky, and, for those who are less aware, then how it randomly flickers should help with that. Or not. Regardless, the presence of a “sky” isn’t the only surprising thing about this room—it might not even be the first thing that goes noticed. Despite all the expansive and seemingly never-ending hallways that lead to rooms that are void of anything living, this room is alive. Somehow.
A small plaque on the wall will describe this exhibit as an “interactive” medium with gentle suggestions to not be too rough with anything. This exhibition will be a picturesque garden full of all kinds of flowers and plants with a small pond with lily pads and lotus located towards the center of the room. The only physical structure within this room is a very small and simple gazebo containing two chairs and a small table. Perfect for having afternoon tea—if that’s your kind of thing. However, if you were hoping to listen to any bird song, look at what animals have taken residence in the pond, or generally any other kind of life then you’ll be disappointed.
EXHIBIT # — ???
Nothing is on display in this room; all that is there is just empty walls, empty “ceilings”, empty floors…
The only thing that can be found is a small, simple white card free from any kind of writing. A completely blank card. If you try to take it out of the room, it will instantly disappear from wherever it was stored and return to the room.
The only thing that can be found is a small, simple white card free from any kind of writing. A completely blank card. If you try to take it out of the room, it will instantly disappear from wherever it was stored and return to the room.
no subject
So you would like to break them, but you would like them to love you for it, in turn. ( :pepenote: ) ... But something can only be broken so many times before it's entirely gone. Even so, would you push your love until this final end?
no subject
[Like genuinely he doesn't know what else you'd have him do, man.]
no subject
( Did Beryl think he was getting out of this that easily—
But, he will continue: )
But you can focus your efforts on finding individuals who suit you, as well. There may be those who think as you do, or who can accept love expressed in that way, or who cannot be fully destroyed. It may be perverse, but it need not involve innocent people.
( yuki treating this like its an insane kink BUT he's trying to be pragmatic. Telling someone to just be different is useless advice, but he does not think Beryl needs to deadend himself, even if his style of loving is, frankly, terrible. And this is because Beryl mixed "love" into it - and, as a doll, he is particularly sensitive to matters of love. )
no subject
[BERYL THIS ISN'T HELPING YOUR CASE. But he actually considers this for a long moment.]
.... I don't know, Yuki. That sounds like a lot of work especially since as far as I can tell, the only people here are you, me, Zvei, Reiju, and the dumbass that killed me.
[But technically he hasn't shot down the idea....]
no subject
He sighs sharply, arms folded in his sleeves. sTOP KILIGN PEOPL
...
He is thoughtful for a time. )
... If you can promise to be on decent behavior so long as I am around, and if you can promise it is done with love, I would not mind if you attempt to break me.
( Their injuries heal faster here and pain is weird here so? It's viable. This is frickt up but it's viable. )
I do not enjoy being broken, but I have been created to receive love. If what you say is true and genuine, then I would accept how you express it, as well.
( So, ultimately, there's a bit of a caveat - it really depends on if there's love involved during or long after. But if it is done with love, during the destruction, then ... love is love, all the same. This is what he was made for, and it is what he instinctively, voraciously seeks. )
1/??
2/??
3/??
Unless in his head, tricking Beryl is protecting the others??? But what would be the point in provoking him into this given he's been up front with his murder proclivities.]
4/??
He has to really think about this. It feels too good to be true.]
5/5
Finally, he grins.]
By "decent behavior"... You mean you want me to not hurt anyone else? I assume I'm still allowed to act in self defense, at least?
And if I do that, I can do whatever I want with that doll body of yours?
no subject
( It's about the spirit of the agreement, not the letter, so don't get too smart with him!! )
But, yes, I will allow you to do as you wish. It does not seem injury sustained here is permanent, so it should not interfere with my other duties.
( Taking in love is a baseline need, but it can't be at odds with this duties to serve and protect - so, weirdly, only in this graveyard could he strike this kind of deal, whether or not that is a boon or bane to Beryl. )
... And, if something falls short of your estimation, I would prefer that you discuss it with me before your end your participation.
( Being a ball-jointed doll, he's never actually been ragdolled around to a particular extreme - he'd be too fragile for it - so he's not really sure what Beryl is looking for, either. He also isn't aware of Beryl's interest in vessels, so, in Yuki's perspective, Yuki, himself, is the one pushing this deal - and it is not necessarily something Beryl was already interested in with Yuki. So if he really doesn't suit Beryl's needs, he'd kind of like a heads up to know Beryl is At Large once again, more or less. )
no subject
He holds out a hand.]
That works for me! But frankly I don't think there's any risk of that. I can't wait to see you all broken again.
no subject
... Is that, too, an expression of love?
no subject
Of course. I showed the girl I liked that I was interested in her by breaking her fingers.
no subject
... Then I will accept it as a compliment.
( This is genuine, at least. He could be much pickier about he accepts if he had a master, but he doesn't, and he wants to be loved, so he accepts this. That it will (hopefully????) keep Beryl on a leash is more important than considering what he does and does not prefer, however. )
But I will be cross with you if someone else catches your eye and you attempt to love them as such. Those... I will ask that you try to love normally.
( Actually, he Hates telling people to love things other than him, so he hates saying it even now, but Beryl isn't "his" any more than he's Beryl's, so he may as well hope that Beryl can like ... somehow use this arrangement to become more decent around other people, maybe. Despite having good reason to be suspicious, he's trusting Beryl to keep his word - what else can he do? )
no subject
Damn, you're forward aren't you? Already wanting to be exclusive when we haven't had our first date!
[He laughs, but pats Yuki's hand before releasing it.]
Don't worry. I only have eyes for you.
no subject
Hmmm. Then I shall endeavor to hold fast to your gaze, so it will have no cause to wander.
( At least he feels like he's maybe affecting some kind of positive change, and maybe that's what counts. (?) )